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Released on Premonition Records in 2004, Bow River Falls was recorded in a single afternoon at The Banff Centre in June 2003. This was truly a meeting of musicians — each a member of the faculty at the 2002 Banff International Workshop in Jazz and Creative Music, each bringing compositions/arrangements to this book of music. Released in 2004 on Premonition Records, this stands as Douglas’ first release after his departure from RCA just prior to starting his own label, Greenleaf Music.
So little can be said about music without trampling it underfoot. In music we escape the real world. For as long as the music lasts we live in the sound, in a world that has no physical existence. Conversely, music also brings us more into the world by pointing out the mysteries in life and human experience. Why are we here? What are our relationships to each other? How do we handle ourselves? What is universal truth? I fell that what can be said about music merely helps to put it in a context. Here is some information about the human side of this recording, and how Bow River Falls came about.
This was a true meeting of musicians. First brought together as a quartet by Ken Pickering at the Vancouver Jazz Festival in 1998, each of us subsequently met up in various situations, none documented on record. Louis invited me a few times to join his remarkable quintet in France. Peggy and Dylan, central to the vital creative music scene in Vancouver, both joined a project that I call Mountain Passages. Our first gig involve a hike to 9,000 feet in the Italian Dolomites. Needless to say, there was no recording equipment available.
When pianist Kenny Werner offered me the job as the director of the Banff Workshop in 2002, Peggy and Dylan were the first two musicians I called to join the faculty. It was amazing to spend a few weeks with them and their sons Curtis and Dexter in the dry mountain air of Banff National Park. With the generous help of the French consulate, we were also able to bring Louis to participate in the the workshop.
One of the most unexpected surprises at Banff is the existence, within all that wildness (bears, elk, etc.), of a state of the art recording studio. With the assistance of Banff Audio Department, we took an afternoon to put this recording together.
It was all agreed that all of us would contribute compositions and conceptions, making the project truly a cooperative effort. Though we did rehearse, these readings of each other's pieces retain a comfortable, spontaneous feeling. The instrumentation gave us an opportunity to add one of my favorite pieces by the great Steve Lacy, the catchy and infectious Blinks. Dylan's addition of laptop computer to his drum kit on several pieces seems to blend naturally with the acoustic instruments, while creating an otherworldly atmosphere on the title track, on Window, and elsewhere.
Some of these pieces appear elsewhere in our discographies - for me that heightens the uniqueness of this meeting. From disparate parts of the globe, united in a remote location, for a few hours, the language of music overcomes all boundaries of communication.
Music speaks louder than words.
released August 24, 2004
Dave Douglas, trumpet
Louis Sclavis, clarinet, bass clarinet
Peggy Lee, cello
Dylan van der Schyff, drums, laptop
Dave Douglas & Dylan van der Schyff, producers
John Sorensen, recording and mixing engineer
Kent Walker & Jonathan Stevens, assistant engineers
Pablo Mochcovsky, mastering
Michael Friedman, post production coordinator
Lynne Huras, cover painting, Canyon 1, 2002
Anne Benjamin, graphic design
Recorded during the Banff International Workshop in Jazz and Creative Music, using the facilities of the Music & Sound Program at The Banff Centre, Banff, Alberta, June 2003.
Theresa Leondard, Director of Audio.
"Binks" composed by Steve Lacy (Cyla Music / SACEM)
"Bow River Falls", Petals", "Woman at Point Zero", and "Paradox" composed by Dave Douglas (Noenmity / BMI)
"Fete Forraine", "Maputo", and "Dernier Regards/Vol" composed by Louis Sclavis (JMS Editions / Catalogue Indigene)
"Window" and "Retracing 2" by composed by Peggy Lee (SOCAN)
"Dark Water" composer by Douglas, Sclavis, Lee, and van der Schyff (Noenmity / BMI, JMS Editions / Catalogue Indigine $ SOCAN)
"Woman at Point Zero" draws inspiration from the novel by the same name and is dedicated to its author, Nawai El Saadawi